Toca Madera are another act joining the fray, playing in the vein of early 80s Spanish Metal like Barón Rojo, Ángeles del Infierno and Panzer (the name is a reference to their most famous album) among others. With 5 songs clocking in roughly at 25 minutes, the self-titled EP captures the exact feel of those first Spanish records: a gritty, unpolished tribute that sounds somewhere between late 70s hard rock, early NWOBHM and edging on speed metal at times.
Ultimately, the greatest NWOBHM album of the movement always deserves to be noted, and as far as I’m concerned, that album is Court in the Act.
Magnus Venator comes out officially on 4th of September, 2020 by Floga Records. Now you can hear it, an exercise in modern Hellenic black metal, in its entirety here as a Ride Into Glory exclusive and read an interview with the band’s guitarist Astrous.
With Anamneses, Alexandros’s intention is to create a bridge between the past and the future of Macabre Omen. Although this is a daunting task to do with just one song, Anamneses from the Past (Sirens Calling) does just that.
Nine years after the previous album “March into Firelands”, Flame is here again with this EP from Finnish label Primitive Reaction and this is, while fairly short, a very welcome addition to their discography. Even the first listen shows that their frostbitten and dark sound is still there and the steel remains.
Musically, Moontowers straddle the line between 80s traditional metal like Manowar (Sign of the Hammer) and epic doom ala Candlemass or Solitude Aeternus.
In the ’80s, you could find a heavy metal band in every neighborhood, in every city, all over the United States of America. Many of them might have listened to Black Sabbath and Judas Priest, or just saw Ozzy and Iron Maiden live during their early US tours, or just witnessed a Kiss live show, so that was enough. You can’t imagine the kind of impact those bands had back then on the metal youth of America. The passion was there, creativity too, so you were only missing the skills. The young bands that had the complete package recorded songs that stood the test of time.
After over a decade of activity, Ysengrin, the project directed by Guido Saint Roch, released their final album: Initiato. The musical trajectory of the band was always very interesting and it is therefore fitting to end the life of this musical project by an even more curious final album. The main constant of Ysengrin’s career is the aim to create a music that sounds obscure, even a bit mystical, by the means of mid-tempo blend of black and death metal.