Classics Appreciation

Classics Appreciation: Reverend Bizarre – II: Crush the Insects Review

In that light, Crush the Insects is a surprising follow up to the debut because it takes several VERY different tacks on the band’s patented take on the genre: namely, it bothered being accessible in a way their other full lengths really aren’t. Whereas that first album was innately gripping, by virtue of its riffs and the way the band painstaking arranged/structured the way each passage glacially flowing into one another in lieu of conventional hooks, Crush… was very clearly an attempt at crafting a more traditionally memorable record than its predecessor ever attempted. It’s the closest thing to a “fun” album the band ever crafted; the band themselves even cheekily pointed it out with a sticker on the original CD issue of the album as “The Biggest Sell-out in True Doom”. Go figure.

Classics Appreciation

Classics Appreciation: Saint Vitus – Saint Vitus (1984) Review

There aren’t a ton of doom metal bands more revered than Saint Vitus, and it is for good reason. Of Black Sabbath’s disciples in the 80’s, they are perhaps the most honest and soulful of the bunch, if not exactly a 1:1 copy of the original masters. Rather, what Vitus did is that they applied the atonality, loose song structure, and just pure griminess of American punk to the emerging doom metal format at a time in the 80’s when the early bands were forging their own styles and defining the subgenre on their own terms.

Classics Appreciation

Classics Appreciation: Solitude Aeturnus – Through the Darkest Hour Review

People like to point the finger at Candlemass as being the originator of the idea of epic doom metal as being “slowed down power metal”. This isn’t entirely unfair since, y’know… they were the band who got the band rolling on the subgenre to start with. That being said, I’d argue that it’s more generally applicable to Solitude Aeturnus a bit more than the Swedish band.

Classics Appreciation

Classics Appreciation: Candlemass – Epicus Doomicus Metallicus Review

When it comes to metal, you have the usual rung of classics, and then you have the albums that are epochal in nature. The works that, regardless of whether you enjoy them or not, are the ones that fundamentally altered the landscape of the genre and for everything after them, for better or worse. Candlemass’s debut is, naturally, one of these albums – an album so blatantly influential that it spawned the subgenre in its own title.