This article is the first in a trilogy of guides chronicling the United States power metal (USPM) scene. This first section focuses on defining the sound and providing listening essentials. It also includes excerpts from interviews with Mike Sabatini of Attacker and Howie Bentley of Cauldron Born.
I’ll just cut to the chase – Ride into Glory will no longer regularly publish articles. The site is going to stay up and we’ll still be posting long form features and guides from time to time, but we’ll go from about 100 articles a year to 3 or 4. The front page of the site will get a small redesign to highlight the site’s most important guides and articles. More details on what we’re doing and why can be found in the rest of the article.
Twisted Tower Dire are a band with a very special place in the annals of US power metal. They formed in 1995 and released a majority of their material in the early 2000s. This was a time in which the majority of bands were shying away from more traditional styles of heavy metal, but Twisted Tower Dire were one of the few exceptions. They’re a band known for their fast paced, dual guitars and heavy use of singalong choruses. Before they really established this iconic style of catchy, but riff-centric power metal, they released a couple of unique demos that are unlike the rest of their discography.
It’s difficult to innovate and sound unique in the world of traditional heavy metal. This is especially true in the very small, niche genre of epic doom metal, which was both established and perfected in one fell swoop with Candlemass’s Epicus Doomicus Metallicus. While Heaven Wept are a band that managed to do exactly this.
Prodigy/Oracle were a progressive power metal band from Florida – given a description like that, Crimson Glory and Savatage immediately come to mind and indeed Prodigy fit in nicely with those two. Unfortunately for the band, they were a day late and a dollar short and by the time they released their only offering, As Darkness Reigns, interest in the style had long since waned and they were relegated to relative obscurity. Luckily for die-hard fans, the internet gives us a fantastic avenue to appreciate and share bands that didn’t quite make it in their own time.
Making the transition from demo or introductory EP to a full fledged debut album isn’t easy. We see it time and time again – bands put out a rough around the edges release with promise and then for one reason or another don’t quite live up to that promise. Luckily for us, that isn’t the case here. Herzel’s Unis dans la gloire demo is one of the precious few modern era traditional metal demos that has stayed in my regular rotation for years and their recently released debut album Le dernier rempart is everything I hoped for in a follow-up.