Lost in Time

Lost in Time: Su Ta Gar – Jaiotze Basatia Review

As heavy metal grew in Spain during the 1980s, metal bands appeared in all regions of the country. In the midst of this explosion, on the 14th of August 1988, a new act by the name of Su Ta Gar played their first concert in the small village of Ondarru. Unlike their regional peers, they sung completely in Euskera (Basque). While this might not seem like a big deal, heavy metal there had always been delivered in Spanish to achieve the widest appeal possible. Euskera was reserved for the punk-influenced acts of the Basque radical rock scene. They were received with thunderous support and this was the spark that would push them forward, not knowing the legacy they were about to create.

Classics Appreciation

Classics Appreciation: Saint Vitus – Saint Vitus (1984) Review

There aren’t a ton of doom metal bands more revered than Saint Vitus, and it is for good reason. Of Black Sabbath’s disciples in the 80’s, they are perhaps the most honest and soulful of the bunch, if not exactly a 1:1 copy of the original masters. Rather, what Vitus did is that they applied the atonality, loose song structure, and just pure griminess of American punk to the emerging doom metal format at a time in the 80’s when the early bands were forging their own styles and defining the subgenre on their own terms.

Into the Coven

Into the Coven: Ljosazabojstwa – “Głoryja Śmierci” Review and Interview

Something that people in underground metal circles love to do is to trace back the sound of a new band to find the origins of influences. What lies at the root is Black Sabbath if you go back enough but the trace lines at this point have branched out so wide that the full map of modern underground metal would be represented with no less than a forest. A particular branch that we are interested in here is the one that goes from ‘80s metal to Mortuary Drape, then to more extreme acts such as Cultes des Ghoules, Spite, or in today’s case, Ljosazabojstwa.

Classics Appreciation

Classics Appreciation: Solitude Aeturnus – Through the Darkest Hour Review

People like to point the finger at Candlemass as being the originator of the idea of epic doom metal as being “slowed down power metal”. This isn’t entirely unfair since, y’know… they were the band who got the band rolling on the subgenre to start with. That being said, I’d argue that it’s more generally applicable to Solitude Aeturnus a bit more than the Swedish band.

Lost in Time

Lost in Time: Adramelch – Irae Melanox Review

In 1986 Fates Warning released Awaken the Guardian. This incredible album set a new foundation as well as a new boundary for the very new, exploding, and exciting progressive approach to metal. It was imaginative and provides to this day a great piece of musical escapism. The next year, near Milan, a few teenage friends would spend their time, as did countless other bands, covering songs by Black Sabbath, Iron Maiden, and Queensrÿche and generally honing their musical skills. At one point they had enough of covers.