Like their label-mates Malokarpatan, they remind of a time right before the explosion of Norwegian black metal acts, a moment in time where black metal was not clearly defined, and it was not clear how it should sound like. It is in an environment like this that the Hungarian Tormentor could release Anno Domini, a furious, scary album about, who would have guessed, Transylvania. The way Tormentor wrote riffs, bouncing, twisted but still melodic, is one important piece of the sound of Of Sleep and Death, especially on the title track of the album. However, the melodic elements are pushed much further than what Tormentor did, it is more rooted in what Dissection did.
To summarize, this album here is one of the very first black metal releases after Venom and Kat deserves a spot as a pioneer in the genre. It is fast, neck breaking, aggressive, satanic, horror evoking and completely demented album; for all of that, it remains an absolute classic.
It is not easy to follow up a release like II: Sojourn and Wytch Hazel did it with grace.
After over a decade of activity, Ysengrin, the project directed by Guido Saint Roch, released their final album: Initiato. The musical trajectory of the band was always very interesting and it is therefore fitting to end the life of this musical project by an even more curious final album. The main constant of Ysengrin’s career is the aim to create a music that sounds obscure, even a bit mystical, by the means of mid-tempo blend of black and death metal.
In 1986 Fates Warning released Awaken the Guardian. This incredible album set a new foundation as well as a new boundary for the very new, exploding, and exciting progressive approach to metal. It was imaginative and provides to this day a great piece of musical escapism. The next year, near Milan, a few teenage friends would spend their time, as did countless other bands, covering songs by Black Sabbath, Iron Maiden, and Queensrÿche and generally honing their musical skills. At one point they had enough of covers.