Classics Appreciation
Classics Appreciation: Warlord – Deliver Us Review
Warlord is a pretty good example of how the success of a band sometimes is entirely dependent on factors outside of the musicians’ control.
Warlord is a pretty good example of how the success of a band sometimes is entirely dependent on factors outside of the musicians’ control.
Although popular during their prime and revered by some metal fans, Riot never achieved their rightful due. Founder, guitarist, chief composer, and sole consistent member of Riot, Mark Reale, suffered a tragic death due to life-long Crohn’s Disease eight years ago. This band formed around the same time as Iron Maiden, Rainbow, and Motörhead, their album catalog is consistent, and released one of the best USPM records ever. However, even with all this, they never achieved the popularity the deserved.
The ’90s were a dark time for heavy metal, especially in the United States. To remedy that, Virginia legends Twisted Tower Dire formed in 1995 to try and breath new light into true heavy metal.
Fates Warning’s previous work, The Spectre Within, was a masterpiece which essentially set the standard by which most metal – almost certainly all prog metal after it – should frequently aspire to (and often never does). Following up such an album is a tall task for anybody; almost nobody could. Fates Warning weren’t like any other band in metal – not now, and sure as shit not back in the 80’s either – and as such they proved capable of following it up with something even more monumental.
Florida had a small but fairly vital collective of traditional metal bands in the 80’s, despite them being fairly different from each other. You had Nasty Savage, who were on that Slayer gone Mercyful Fate kick; the lean aggressive and bombast of Savatage, etc. There are perhaps others I’m regretfully missing off the top of my head. The point is that Crimson Glory was arguably the best of that small lot – and this album, in particular, deserves to be mentioned alongside the very best of all time.
The world has changed a lot in the past 40 years. Empires rose and fell, cultural icons appeared and disappeared, music trends come and gone. The same is true for personal musical tastes. I’ve known people 20 years ago who grew out of metal as they say, or “evolved” musically.
There is a person who evolved as well this last 40 years without succumbing to trends, without looking for the ephemeral and forgettable success. The man who stayed true to the music and the people who are following him. That man is the Tyrant, and this is his story through his music.
The esoteric side of heavy metal has been around since the very start. The strange, the magical, and the fantastical have driven songwriters to great heights for the genre’s history, and one of the current masters of the weird is here right now to do an interview. The Great Kaiser, aka Derek DiBella, is perhaps best known for his years with Demon Bitch, but is also the driving force behind White Magician, Isenblåst, and more.
Not long ago I was having dinner with a very good friend of mine discussing about all those demos that we wished to be reissued but we both knew that was only wishful thinking. And then he mentioned Candle Opera, an extremely obscure heavy/ power band from Canada that somehow he managed to get one track from their long lost 1992 demo to upload in his Youtube Channel. Little we both knew then that at the same time Cult Metal Classics was working on a release of their long lost demo titled Dream Theatre.
One year ago today (July 27th) metal lost one of its most ardent and valiant warriors in Mark “The Shark” Shelton. Mark’s impact on the metal underground cannot be understated. He was a passionate musician who cared deeply for both the music and the people. His career with Manilla Road spanned four decades and nearly twenty remarkable records. Like many, I’ve taken the year since his tragic death to more deeply reflect on Manilla Road’s career. In doing so, I’ve found a much deeper appreciation for eras of the band that I had mostly ignored in favor of their classics. In particular, Mark of the Beast has resonated with me, leaving me wondering why I didn’t appreciate it as much before.
Part 1 of a 4 piece series on Epic Heavy Metal. This segment defines the sound and explores the beginnings of the genre. This part also features an interview with Randy “Thrasher” Foxe of Manilla Road.