Midwestern US underground metal legends, influenced a ton of bands in trad and even a little outside of it – albeit in more modern times than in their own era – you know the drill by now.
It’s December and the year is now coming to a close. With new releases drastically slowing down, it’s the perfect time of year to take a step back and jam some of metal’s most classic and influential bands. For the rest of this month, the Ride into Glory team will be looking at some of our favorite songs from metal’s finest artists. Up first are the legendary Manowar!
I can still safely say that Ravening Iron is primed to be my album of the year. Eternal Champion are one of the best active bands in traditional metal right now and this is simply another testament why.
The first Ride into Glory video guide!
In the ’80s, you could find a heavy metal band in every neighborhood, in every city, all over the United States of America. Many of them might have listened to Black Sabbath and Judas Priest, or just saw Ozzy and Iron Maiden live during their early US tours, or just witnessed a Kiss live show, so that was enough. You can’t imagine the kind of impact those bands had back then on the metal youth of America. The passion was there, creativity too, so you were only missing the skills. The young bands that had the complete package recorded songs that stood the test of time.
The Warning represents the height of Queensryche’s career.
You have the more aggressive vocals and a fast tempo that verges or veers into thrash territory, yet still retains a strong foundation in the heavy metal pioneered by the NWOBHM bands of the early 80s. It’s metal that is rough around the edges, but packs a potent punch and carries a good dose of sing alongs that get the blood flowing.
Sölicitör made waves in the underground in 2019 by releasing a vicious 2 song demo initially described as “Chastain but faster”, which is a winning combo if I’ve ever heard one
Warlord is a pretty good example of how the success of a band sometimes is entirely dependent on factors outside of the musicians’ control.