Downfall is kind of an odd album in the Solitude Aeturnus discography. It has the band’s signature touch, certainly – the evocative, stone-heavy riffage and harmonies; Robert Lowe’s consistently impeccable vocal delivery, and that sweet, sweet over the top melancholia underpinning everything. All that said, Downfall has a pretty distinctly different vibe in that it’s the least “epic” thing the band ever did, least to my ears anyway.
I can still safely say that Ravening Iron is primed to be my album of the year. Eternal Champion are one of the best active bands in traditional metal right now and this is simply another testament why.
An interview and album premiere for Apochryphal Revelation’s new album “Primeval Devilish Wisdom”.
Being a doom metal fanatic my taste for the heavy and doomy but definitely metallic has significant elasticity. I enjoy doom metal that more discerning ears might not have the time nor inclination for. I’ll leave the lower end of my listening spectrum out of my writing but over the years the shear amount of doom I’ve leant an ear to is significant. Amidst the boulders, forests, and rubble of that mountain of doom there are some quality bands that seem to have gotten lost and left off the radar of most doom fans. These are not the very top shelf, the legends of the genre, but they are really good and considerably enjoyable. It is this article’s intent to get a few more doom fans to discover them.
In the ’80s, you could find a heavy metal band in every neighborhood, in every city, all over the United States of America. Many of them might have listened to Black Sabbath and Judas Priest, or just saw Ozzy and Iron Maiden live during their early US tours, or just witnessed a Kiss live show, so that was enough. You can’t imagine the kind of impact those bands had back then on the metal youth of America. The passion was there, creativity too, so you were only missing the skills. The young bands that had the complete package recorded songs that stood the test of time.
To me traditional doom metal has always been a genre of imperfection – it is in this imperfection and passion where thunderous doom riffs, enveloping atmosphere, and passionate yet often flawed vocals coalesce to some of the best metal out there. With their full-length debut, Purification is perfectly emblematic of this quality.
Full album premiere for Draghkar’s At the Crossroads of Infinity, featuring an interview with primary songwriter Brandon Corsair.
The Warning represents the height of Queensryche’s career.
Just two years ago Stygian Crown released their impressive demo and now they’ve released their debut album and they’re already being enlisted for international festivals! This relative success isn’t for nothing. Although it’s still early to tell, it’s pretty clear that Stygian Crown’s self-titled debut is something special and likely to be one of the best traditional heavy metal records of 2020 with its specific brand of crushing epic doom reminiscent of Solitude Aeturnus and Capilla Ardiente. We caught up with Rhett A. Davis for an interview that you can read below!