Being a doom metal fanatic my taste for the heavy and doomy but definitely metallic has significant elasticity. I enjoy doom metal that more discerning ears might not have the time nor inclination for. I’ll leave the lower end of my listening spectrum out of my writing but over the years the shear amount of doom I’ve leant an ear to is significant. Amidst the boulders, forests, and rubble of that mountain of doom there are some quality bands that seem to have gotten lost and left off the radar of most doom fans. These are not the very top shelf, the legends of the genre, but they are really good and considerably enjoyable. It is this article’s intent to get a few more doom fans to discover them.
In the ’80s, you could find a heavy metal band in every neighborhood, in every city, all over the United States of America. Many of them might have listened to Black Sabbath and Judas Priest, or just saw Ozzy and Iron Maiden live during their early US tours, or just witnessed a Kiss live show, so that was enough. You can’t imagine the kind of impact those bands had back then on the metal youth of America. The passion was there, creativity too, so you were only missing the skills. The young bands that had the complete package recorded songs that stood the test of time.
To me traditional doom metal has always been a genre of imperfection – it is in this imperfection and passion where thunderous doom riffs, enveloping atmosphere, and passionate yet often flawed vocals coalesce to some of the best metal out there. With their full-length debut, Purification is perfectly emblematic of this quality.
Full album premiere for Draghkar’s At the Crossroads of Infinity, featuring an interview with primary songwriter Brandon Corsair.
The Warning represents the height of Queensryche’s career.
Just two years ago Stygian Crown released their impressive demo and now they’ve released their debut album and they’re already being enlisted for international festivals! This relative success isn’t for nothing. Although it’s still early to tell, it’s pretty clear that Stygian Crown’s self-titled debut is something special and likely to be one of the best traditional heavy metal records of 2020 with its specific brand of crushing epic doom reminiscent of Solitude Aeturnus and Capilla Ardiente. We caught up with Rhett A. Davis for an interview that you can read below!
There aren’t a ton of doom metal bands more revered than Saint Vitus, and it is for good reason. Of Black Sabbath’s disciples in the 80’s, they are perhaps the most honest and soulful of the bunch, if not exactly a 1:1 copy of the original masters. Rather, what Vitus did is that they applied the atonality, loose song structure, and just pure griminess of American punk to the emerging doom metal format at a time in the 80’s when the early bands were forging their own styles and defining the subgenre on their own terms.
Satan’s Hallow made quite a mark in the underground with its blistering speed metal anthems, but sadly was put to rest after only one album since one of their guitarists and main songwriter left. Chicago’s Midnight Dice are the spiritual successors and have to live with some expectations! Anything with Mandy Martillo is worth your time though.
After an impressive demo, Los Angeles’s epic doom juggernaut Stygian Crown is bringing the thunder on a new full-length album. And some high-class retro thunder is what they do indeed bring on their debut for a well-chosen label Cruz Del Sur. This seems to be the year and the season for top shelf female fronted doom.
The winds of a city howl and have called forth the entrance of a new entity: Fer de Lance. Formed by current members of Smoulder and Moros Nyx, a different brand of epic doom has appeared on the horizon.