New Releases

Track Premiere: Coltre – “Fight”

The New Wave of British Heavy Metal (NWOBHM) is one of metal’s most iconic and influential scenes with bands like Iron Maiden and Venom forever shaping the future of heavy metal. With the recent revival of interest in the traditional branch of heavy metal over the last 10 years, there’s been more than a fair share of bands taking heavy influence from their NWOBHM heroes and many of them fall flat. It’s tough to match the quality and spirit from that time, but every once in a while a band gets it right – Coltre are one such band.

Lost in Time

Lost in Time: Full Moon – Full Moon Review

There are masterpieces, and then there are masterpieces. What I mean to say is, an album I might describe as a “masterpiece” usually tends to become so in my perception in one of two ways: the first is the type in which it’s immediately, or at least quickly, obvious that it’s a challenging, cerebral album, one that has the potential to be a “masterpiece” in some way, but which takes a lot of time to fully digest and understand. Albums I would put in this category include Fates Warning’s Awaken the Guardian, Psychotic Waltz’s A Social Grace, and Holocaust’s Covenant. The other kind, though, doesn’t necessarily immediately (or ever) strike me as overly cerebral or complex or challenging; it might not even seem especially interesting or ambitious upon the first few listens. This sort of masterpiece is more subtle in a way; its brilliance creeps up on you gradually, and at some point you suddenly realize everything works together perfectly, or the juxtaposition of melodies just strikes you in a way that you never noticed before. Albums I’d put in this category would include Screamer’s Target Earth, The Mist of Avalon’s Here and After, and, getting more to the point of the review, the self-titled debut from British post-NWOBHM act Full Moon.