Classics Appreciation

Classics Appreciation: Solstice – New Dark Age Review

Having formed upon the date of the Summer Solstice in 1990, there is effectively one real constant with this band regardless of all the turnover that happens within their ranks. That is, Rich Walker, the guitarist and main songwriter of the band, unflinchingly delivers great metal pretty much every time the band puts music out, no matter how sporadic. It doesn’t matter if you pick any of the other full lengths or even the EPs – both Halcyon and Death’s Crown is Victory would be the highlight of a lot of other band’s careers. Still though, New Dark Age has always been the top of the heap, and for my part one of my favorite doom metal albums in general.

Classics Appreciation

Classics Appreciation: Saint Vitus – Mournful Cries Review

Wino brought a sense of despair that feels more working class-adjacent than anything else. The kind where you work a shitty job that barely pays enough to live on and not enough to meaningfully save up for anything. You get drunk night in and night out on shitty cheap beer (and if you’re lucky, maybe some whiskey) to numb the sense of smoldering rage deep down in the pit of your stomach. There’s a sense of passive-aggressive, languid hopelessness around the Wino albums.

Lost in Time

Lost in Time: Solitude Aeturnus – Downfall Review

Downfall is kind of an odd album in the Solitude Aeturnus discography. It has the band’s signature touch, certainly – the evocative, stone-heavy riffage and harmonies; Robert Lowe’s consistently impeccable vocal delivery, and that sweet, sweet over the top melancholia underpinning everything. All that said, Downfall has a pretty distinctly different vibe in that it’s the least “epic” thing the band ever did, least to my ears anyway.

Features

Feature: Lost Doom Recovered

Being a doom metal fanatic my taste for the heavy and doomy but definitely metallic has significant elasticity. I enjoy doom metal that more discerning ears might not have the time nor inclination for. I’ll leave the lower end of my listening spectrum out of my writing but over the years the shear amount of doom I’ve leant an ear to is significant. Amidst the boulders, forests, and rubble of that mountain of doom there are some quality bands that seem to have gotten lost and left off the radar of most doom fans. These are not the very top shelf, the legends of the genre, but they are really good and considerably enjoyable. It is this article’s intent to get a few more doom fans to discover them.

New Releases

New Release Highlight: Devil Seed – Devil Seed Review

Not much is known about Hungary’s Devil Seed, even as of writing this article their self-titled debut album has not received much attention with no related or past projects to speak of. All we have to go off of is the band name presumably being a reference to the song off of Candlemass’s King of the Grey Islands. Lucky for us, as far as hints go, that’s a pretty good one. Marrying the synth-rich riffy atmosphere of Epicus Doomicus Metallicus with powerful, front-and-center vocals reminiscent of Solitude Aeturnus, Devil Seed’s self-titled debut album presents an unexpected and incredibly welcome slab of epic doom firmly rooted in the classics of the genre.

Classics Appreciation

Classics Appreciation: Reverend Bizarre – II: Crush the Insects Review

In that light, Crush the Insects is a surprising follow up to the debut because it takes several VERY different tacks on the band’s patented take on the genre: namely, it bothered being accessible in a way their other full lengths really aren’t. Whereas that first album was innately gripping, by virtue of its riffs and the way the band painstaking arranged/structured the way each passage glacially flowing into one another in lieu of conventional hooks, Crush… was very clearly an attempt at crafting a more traditionally memorable record than its predecessor ever attempted. It’s the closest thing to a “fun” album the band ever crafted; the band themselves even cheekily pointed it out with a sticker on the original CD issue of the album as “The Biggest Sell-out in True Doom”. Go figure.