We recently published our Best of 2019 article and a few weeks ago we made a post urging you all to vote for your own favorite album of 2019. Well it’s time to take a look at how you, the reader, voted for the best albums of 2019 and compare!
It’s hard to believe that the year (and decade too!) is over in just one week. As far as traditional heavy metal goes, 2019 has been an exceptional year with one fantastic release after another from the get-go. Now it’s time to look back at some of the Ride into Glory author team’s favorite traditional heavy metal releases from the past year!
While some may prefer English as a sung language (myself included), I also enjoy when bands sing in their native tongues if they feel more comfortable doing so. While there aren’t many noticeable acts choosing to do this, Acero Letal are one of the best Spanish speaking Heavy Metal acts of the past decade. Hailing from Chile and with only a demo and a single to their name, the band has nonetheless caught the attention of many through their unrelenting speed metal assault.
Germany. The country where young people into heavy metal, beer, and Satan in 80s took heavy and thrash metal they listened into its logical extreme and laid foundation to what came after: speedy black/thrash metal attack. To this day the country is still a hotbed for similar hybrid sounds with plenty young bands still playing traditional speed or heavy metal touched by more extreme kinds of metal. Diabolic Night have been one of the most promising of these young bands with their pre-debut material and here they have their first full-length effort to build upon the demos.
Nowadays we are used to albums that try to recreate a particular style, scene or sound. We are also more or less used to bands that try to do their own thing, trying to find their own character to distinguish themselves from the flock of sheep, with mixed results. It’s not that often that we stumble upon a record that respects that old legacy, with obvious nods to certain bands, but still finding their own personality. I feel like Premature Burial would be one of those.
When someone exchanges musical opinions within the heavy metal circle, it is not uncommon to hear expressions like “too rough” or “too melodic”, and more recently “very old school” or with a positive spin “very refreshing”. So if an album had exactly the correct ratio of melodic and rough riffs and sounds refreshing even it was released in 1986, that would mean that it will top the charts and everyone would speak about it right?
When Substratum broke up, I mourned. Though they were only around for a few short years, they put out three full length albums, a couple of demos, and a couple of splits – not to mention that they put on a hell of a live show. Things seemed to be on the rise for the band when out of nowhere they broke up with the sudden departure of guitarist and riffwriter Max. Fortunately for fans, Substratum’s loss doesn’t mean the loss of all of the musicians involved, and both guitarist Matt Vogan and vocalist Amy Lee Carlson have carried on and started a new band – Sölicitör.
Named after the iconic Slayer song, Great Britain’s Aggressive Perfector channel the same carnal energy found on Slayer’s early material. Aggressive Perfector originally formed back in 2014 and put out an aptly titled demo called Satan’s Heavy Metal just a couple of years later. Now the stage is finally set for their debut album – Havoc at the Midnight Hour.
With over a decade of high quality releases, Spain’s Iron Curtain have established themselves as one of their country’s finest traditional metal bands. From day one their no frills, zero prisoners approach to music has captivated the metal underground. With partnership from our friends over at NWOTHM Full and Dying Victims Productions, we are excited to present you the opening track to their upcoming fourth album – “Wildlife”!
The esoteric side of heavy metal has been around since the very start. The strange, the magical, and the fantastical have driven songwriters to great heights for the genre’s history, and one of the current masters of the weird is here right now to do an interview. The Great Kaiser, aka Derek DiBella, is perhaps best known for his years with Demon Bitch, but is also the driving force behind White Magician, Isenblåst, and more.