You ask most Lebanese (myself included) what they think about their country and they’ll tell you about its immense beauty and potential. Despite the countless tragedies and constant state of crisis, the average Lebanese stays positive and full of humor. That’s what Nightchains represent to me – the tenacity of Lebanon.
Looking back, it’s hard to view 1984 as anything other than a banner year for heavy metal. The sheer amount of world-beating releases across a wide range of styles is almost unmatched by any year to follow. What we now call traditional metal provided an onslaught of classics, thrash and power metal both launched themselves headlong into the international fray, Sabbath’s legacy was in fine form via the first releases from Trouble, Saint Vitus and Paul Chain Violet Theatre, and thirty-five years on most black metal still comes up short against the triumvirate of Apocalyptic Raids, Morbid Tales, and Bathory’s self-titled debut. It would also mark the (semi-official) end of the New Wave of British Heavy Metal, the very movement which would sow the seeds for much of the development that followed. So then, with metal exploding worldwide on an previously-unmatched level, with this article we’re taking a look at what happened in the wake of the NWOBHM.
The New Wave of British Heavy Metal (NWOBHM) is one of metal’s most iconic and influential scenes with bands like Iron Maiden and Venom forever shaping the future of heavy metal. With the recent revival of interest in the traditional branch of heavy metal over the last 10 years, there’s been more than a fair share of bands taking heavy influence from their NWOBHM heroes and many of them fall flat. It’s tough to match the quality and spirit from that time, but every once in a while a band gets it right – Coltre are one such band.
Opening the album with paying due respect to Hammerheart-era Bathory, Malokarpatan take their time to tell you their stories – and such dark and grimy stories, they are. The longer-form songs build up to smooth, galloping leads or choruses; they keep taking twists and turns as the story unfolds with the use of interludes varying from synths to acoustic passages. But at the heart of it all lies the signature “dark heavy metal” riffage of the band.
Hot on the heels of the New Wave of British Heavy Metal, by the early 80s heavy metal was destined for worldwide acclaim, but specifically we’ll focus on France. In typical French fashion, they were not to be outdone by their English neighbors.
For any fans of Spanish speaking Heavy Metal, Kraken’s debut is a must listen. Not just because of its great musical qualities, but also how it represented a shining light in the darkest hours for Colombia. RIP Elkin Ramirez, one of the greats of Colombian metal.
Lunar Shadow are a traditional heavy metal band from Germany who have never paid attention to the scene’s trends. Characterized by their unique blend of influences that ranges from post-punk to black metal, Lunar Shadow’s guitar lead driven sound sets them apart from their peers. They released their sophomore full length album, The Smokeless Fires, earlier this year on Cruz Del Sur Records.
Mercyful Fate are great. The End, ~fin~.
One of the things I find quite cool about Japan is the friendly rivalry between the Kanto (Tokyo area) and Kansai (Osaka area) regions of the country that spans everything from sports rivalries to whose food is better to, of course, who plays the better music.
One of the most perplexing and hotly debated topics in history (particularly economic) is the tragic descent of Argentina from one of the pillars of the world economy as late as the 1950s to just another South American country fraught with economic and political turmoil. To dive into the history of this country is a tiring task – one that would take multiple books just to cover certain epochs. Yet one period of time continues to scar the national collective – the military dictatorship of 1976 until 1983.