Over the last few years, there has been a small sect of bands in traditional metal that fused the muscle & melody of the genre with a sense of gothic austerity. Taking inspiration from groups like 70’s Priest and Mercyful Fate’s 80’s output, these bands took the austerity implicit in the early works of those groups (EG Sad Wings of Destiny, Melissa etc), and made it a more explicit part of their approach.
There is virtue in simplicity. While some modern extreme metal acts try to push the boundaries of the sub-genres (which mostly results in unimpressive ways for me); Avenger, the sole member of Front Beast, pursues the simplicity of the old. Active in many different projects ranging from traditional occult doom to black/thrash to grind or death metal, Avenger focuses his efforts for Front Beast on paying tributes to the forefathers of black metal like Bathory, Venom, or Hellhammer. Shadows is the latest output of this black/thrash/heavy metal act and it stays on the path Front Beast has always consistently been walking on for the past 20 years.
Germany. The country where young people into heavy metal, beer, and Satan in 80s took heavy and thrash metal they listened into its logical extreme and laid foundation to what came after: speedy black/thrash metal attack. To this day the country is still a hotbed for similar hybrid sounds with plenty young bands still playing traditional speed or heavy metal touched by more extreme kinds of metal. Diabolic Night have been one of the most promising of these young bands with their pre-debut material and here they have their first full-length effort to build upon the demos.
Here at Ride into Glory we provide strong support to upcoming underground bands and artists. We try to highlight high quality new releases and promising debuting artists as often as we can.
The land of extreme metal is vast and without a guiding path it is easy to get lost in the endless sea of new releases and bands. Especially if you are only interested in the sounds that could be Into the Coven (meaning, extreme metal with a prevalent traditional metal structure underneath), finding upcoming artists might look like a daunting task. We thought that highlighting some contemporary bands who have yet to release their debut full-length albums might help readers find a new artist to follow, revisit a band whose first demo they heard a while ago, or just collect the young and new bands they are familiar with in one place.
The final installment of a 4 piece series on Epic Heavy Metal. This segment examines the broader European scene beyond Italy and Greece. This segment also features an interview with Nuno of Ravensire.
Lunar Shadow are a traditional heavy metal band from Germany who have never paid attention to the scene’s trends. Characterized by their unique blend of influences that ranges from post-punk to black metal, Lunar Shadow’s guitar lead driven sound sets them apart from their peers. They released their sophomore full length album, The Smokeless Fires, earlier this year on Cruz Del Sur Records.
A bloodstained murderer with a schizophrenic look on his face, waves his machete towards unsuspected bystanders ,as he runs the streets at night. He is set on a murderous, manhunting path that will not stop unless he is killed because his thirst for blood cannot be sated. If that was the intro scene for an 80s slasher film, then Vulture’s latest album, “Ghastly Waves & Battered Graves” would be the perfect soundtrack.
What happens when a man takes off his Bathory crop top and wear Pink Turns Blue shirts for promo-shoots of his new album? Not necessarily bad things.
I used tell myself that visuals and aesthetics don’t really matter much when it comes to music, but I’ve found this to be less and less true over time. The way a band presents themselves and conveys their message plays an increasingly important role in how much I really enjoy their music. Songwriting and the quality of the music itself is number one of course, but aesthetics can really help with the immersion of music especially when it comes to fantasy laden genres like power or epic metal. It can lift a band up and take them to the next level. It’s for these very reasons that I had an averse initial reaction to Flame, Dear Flame, but luckily I was proven wrong.
Keep it True is a German metal festival focused on the traditional side of things. Started in 2003, they have been keeping the flame alive for over 15 years now and during one of the lowest points in the genre. Over the years, Keep it True has grown to become the leading festival in the world for traditional heavy metal. The festival has been directly responsible for reuniting legions of older bands as well as highlighting and kickstarting the career for many of the new generation. This year’s Keep it True is no different in this regards and may be the very best iteration of the festival yet. The line up for Keep it True 2019 features highlights such as: a reunion of French legends Sortilège, Japanese band Anthem’s first European show, a tribute to the legendary Mark Shelton, and a big show by the originators of epic doom metal themselves, Candlemass.