New Releases

New Release Highlight: Herzel – Le Dernier Rempart Review

Making the transition from demo or introductory EP to a full fledged debut album isn’t easy. We see it time and time again – bands put out a rough around the edges release with promise and then for one reason or another don’t quite live up to that promise. Luckily for us, that isn’t the case here. Herzel’s Unis dans la gloire demo is one of the precious few modern era traditional metal demos that has stayed in my regular rotation for years and their recently released debut album Le dernier rempart is everything I hoped for in a follow-up.

New Releases

Phaëthon – Sacrifice Doth Call Review and Interview

Mythology and metal have never been an odd match, there is a long-storied tradition of musicians from every subgenre exploring the folklore of many cultures – Norse, Egyptian, Greek to name a few. In this respect, Phaëthon is not treading new ground. However, what does make them distinct is their background. While we are accustomed to seeing delineation between traditional and extreme metal, it’s no secret that most death and black metal musicians are deeply reverent of early heavy metal pioneers and their offshoots. Phaëthon fits precisely this mold as two of the main musicians are seasoned veterans of the UK extreme underground.

Relisten

Relisten: Borrowed Time – Borrowed Time Review

Musically, Borrowed Time broadly falls into the “epic metal” spectrum – there are obvious odes to heavy metal like the bands from early the NWOBHM (Iron Maiden, Angel Witch), but also Manilla Road and Brocas Helm. What would separate Borrowed Time from other similar acts is the strong emphasis of melody and purposefully lo-fi production in the mix.

Lost in Time

Lost in Time: Doomsword – S/T (1999) Review

Having been formed in 1997 as initially a studio project, Doomsword as a band was aimed at the idea of playing traditional metal in the style of the old American greats. Warlord is their biggest influence, first and foremost – the pseudonym of Deathmaster, the main songwriter of the band, is from the cover painting of the Deliver Us EP, as was the drummers on this album – as well as a strong hint of Manilla Road, Cirith Ungol and viking-era Bathory mixed in. Lots of bands nowadays are influenced by those first three bands, but in the late 90s, bands playing that style did not really have a ton of traction in either the US or Europe.

Interviews

By This Axe I Rule! The Story of DMR Books

Sword-and-sorcery fiction is heavily related with epic heavy metal. Robert E. Howard and Michael Moorcock are two of the first names a heavy metal fan might have in mind mainly because of characters like Conan the Barbarian and Elric of Melniboné.

When DMR Books started, they had this crazy idea of releasing an anthology of fantasy fiction including stories written by heavy metal musicians. Soon enough, more books followed and now we have the chance to talk with Dave Ritzlin of DMR Books about this story.

Demo Dungeon

Demo Dungeon: Whetstone – Ancient Metal Review

Just one look at the cover of the demo tape tells us everything we need to know. Scanning the artwork, you see an all black and blood-red aesthetic featuring a medieval warrior sitting upon a throne. Your eyes are drawn to the words “WHETSTONE” and “ANCIENT METAL”. Now I see something like this and it immediately gives me a certain expectation of the band’s sound and luckily, Ancient Metal sounds exactly like it looks.