Into the Coven

Into the Coven: Mystifier – The World Is So Good That Who Made It Doesn’t Live Here Review

Evil comes in different shapes. In South America, the shape it assumed was mostly primitive, raw, and dirty until The World Is So Good That Who Made It Doesn’t Live Here was released. Finding an early interest in extreme metal in 80s, many South American bands experimented with filthy sounds that had not been quite discovered before their time. A record store that was already active before this particular kind of extreme metal rose, Cogumelo Records, became the meeting spot for a lot of early Brazilian first wave black, death, and thrash metal bands. The best example of the thrashy, primitive, aggressive sound of the region from that era would be the cult album, I.N.R.I., by Sarc√≥fago.